Indrani
Indrani | |
---|---|
Queen of the Devas | |
Other names | Shachi, Poulomi, Aindri |
Affiliation | Devi, Shakti |
Abode | Amaravati, Indraloka, Svarga |
Mantra | ॐ ऐन्द्री नम: |
Weapon | Vajra, Astras, Trishula |
Day | Sunday |
Mount | Airavata |
Gender | Female |
Festivals | Navaratri |
Genealogy | |
Parents | Puloman (father) |
Consort | Indra |
Children | Jayanta, Rishabha, Midhusha, Jayanti, Devasena (Shashthi) |
Indrani (Sanskrit: इन्द्राणी, IAST: Indrāṇī), also known as Shachi (Sanskrit: शची, IAST: Śacī), is the queen of the devas in Hinduism. Described as tantalisingly beautiful, proud and kind, she is the daughter of the asura Puloman and the consort of the king of the devas, Indra.
According to legend, due to her heavenly beauty and sensuality, Indrani was desired by many men, many of whom tried to marry her. When Indra was away performing his penance for the slaying of Vritasura, Nahusha, a mortal king of the Lunar dynasty, was chosen as the ruler of heaven. The latter tried to seduce Shachi and make her his queen, though she cleverly executed a scheme to dethrone him and later reunite with her husband.
Indrani (or Aindri) is also one of the Sapta Matrika—the seven divine mothers. She is an important goddess in Shaktism, a major sect of Hinduism.[1] Indrani is rarely worshipped as an independent deity and is most often worshipped with Indra throughout India. She is also a goddess in Jainism and Buddhism, mentioned in their texts.
Etymology and epithets
[edit]Like many Vedic goddess-consorts whose names are derived from their husband's name by adding a feminine termination, the word Indrani (Indrāṇī) is derived from Indra and means 'wife of Indra'.[2][3] Importantly, however, Indra is known by his wife's name as well; he is often referred to as Shachipati (husband of Shachi), Shachindra (Shachi's Indra), or Shachivat (possessor of Shachi).[4][5]
Shachi (Śacī) is a prominent other name of Indrani. The term finds usage in the Vedas with dual significance: firstly, as the proper name for Indrani and secondly, as a generic expression denoting the strength inherent in the divine entities, particularly associated with Indra.[6] According to Sir Monier Monier-Williams, 'Shachi' means 'speech', 'power of speech', or 'eloquence'. It is derived from the Sanskrit word shach, which means 'speak', 'say' or 'tell'. Shachi is also associated with the word shak, meaning 'power', 'strength', 'action' or 'exploit'.[4] David Kinsley, a professor known for his research on Hindu goddesses, believed that the word Shachi is suggestive of the later concept of Shakti, the personification of power.[2] Other scholars use 'divine grace' as the translation of Shachi.[7] Other names include:
- Aindri (Aindrī) – 'wife of Indra'[8]
- Poulomi (Poulomī) – 'daughter of Puloman'[9]
- Poulomuja (Poulomujā) – 'daughter of Puloman'[9]
- Devarani (Devarāṇī) – 'queen of devas'
- Charudhara (Cārudhārā) – 'beautiful'[10]
- Shakrani (Śakrāṇī) – 'wife of Shakra (Indra)'[11]
- Mahendrani (Mahendrāṇī) – 'wife of Mahendra (Indra)'[11]
In Hindu literature
[edit]Vedic
[edit]Indrani first appears in the Rigveda, which was composed in the early second millennium BCE. According to Subodh Kapoor, unlike many Vedic deities who personify natural phenomena, Indrani does not have a myth of nature that explains her existence and may have originated as Indra's wife.[12] Indologist John Muir states that in the Rigveda, she is invoked multiple times and is mentioned with other goddesses in the first three of these passages. Another hymn considers her to be the most fortunate female, as her husband Indra cannot die from old age.[13] David Kinsley states that many of the goddesses in the early texts are named after their husbands and have no independent character of their own. While Indrani is mentioned more often than any other Vedic goddess-consorts, she remains overshadowed by her husband.[2]
Hymn 10.68 of the Rigveda praises her as being very beautiful and mentions her jealousy of rivals. Another hymn (10.159) describes Indrani as being boastful and claiming that she has conquered her husband; he is submissive to her will. Despite this, in the same hymn, Indrani asks the gods to rid her of rivals in Indra's favour.[2] A hymn in Rigveda is dedicated to a quarrel between Indrani and Indra, where she becomes annoyed with the pranks of Vrishakapi—Indra's pet ape—and complains about it.[12]
The Shatapatha Brahmana refers to Indrani as Indra's beloved. The Taittiriya Brahmana suggests that Indra chose Indrani over other goddesses because of her beauty and sensuality.[7] Scholars note that the Aitareya Brahmana mentions Prasaha and Sena as the wives of Indra, but both of them are identified with Indrani.[5]
Epic and Puranic
[edit]In the later Hindu texts, including the epics Ramayana and Mahabharata, as well as the Puranas, Indrani is more commonly referred to as Shachi, and is the daughter of Puloman, an asura (demonic figure) son of the sage Kashyapa and his wife Danu. She married Indra and became the queen of the devas (gods).[14] The Bhagavata Purana mentions that Indra and Shachi had three sons named Jayanta, Rishabha, and Midhusha;[7] some other texts include Nilambara and Ribhus.[15] Indra and Shachi had a daughter named Jayanti, who married Indra's rival Shukra. In some scriptures, Indra and Shachi bestowed their daughter Devasena to Kartikeya.[11]
Author James G. Lochtefeld comments that Shachi is not a major figure, and this may reflect Indra's diminished status in later Hindu mythology. He claims that Shachi's only important role is in the story of Nahusha.[16] In the story, according to the Mahabharata, Indra once committed Brahmahatya (Brahminicide) by killing Vritra, after which he set out incognito to perform a penance. During this period, the devas appointed Nahusha, a powerful mortal ruler of the Lunar dynasty, to be the king of heaven.[17] He soon became proud of his power and desired Shachi, but she refused his amorous advances and sought protection under Brihaspati, Indra's teacher.[18] Angered by Nahusha's illicit behaviour, the devas advised her to bring back Indra, and after crafting a plan, Shachi went to Nahusha. She told Nahusha that before accepting him, he would have to wait until Indra was found; Nahusha showed his consent. Though Indra was found and redeemed from his sin, he refused to return as Nahusha was the king, and went back into hiding. Aided by the goddess Upashruti, Shachi located Indra in the lake Manasarovar.[19] Indra suggested that Shachi scheme to remove Nahusha from his position. She returned to Nahusha and asked him to come to her in a palanquin driven by sages. Due to his impatience and arrogance, Nahusha kicked the sage Agastya while riding in the palanquin. Agastya cursed Nahusha to fall from heaven and transformed him into a snake. Indra was hence restored as the King of Heaven and reunited with Shachi.[20][21][22][16]
According to another story in the Ramayana, Anuhlada, the son of the Daitya Hiranyakashipu, wanted to marry Shachi, but she refused. As a result, he took permission from Puloman to forcefully abduct and marry her. During the abduction, Indra spotted Anuhlada and Shachi and saved his wife by killing both Anuhlada and Puloman.[14][23][a] The Southern Indian text Kanda Purana narrates that when the asura Surapadman desired Shachi, Indra appointed the god Shasta as her guard. During his absence, Surapadman's sister came to Shachi and unsuccessfully tried to convince her to marry the asura.[24][25] In the epics, Shachi's beauty and devotion are compared to other women, such as Rohini, Arundhati, Sita, and Draupadi.[26][27] The Mahabharata also mentions that the heroine Draupadi was Shachi's incarnation, though Draupadi is praised as an incarnation of Sri in other earlier chapters of the text.[28]
The Puranas attest that Shachi owned the Parijata tree (Nyctanthes arbor-tristis), which was one of the jewels emerging from the Samudra Manthan (the churning of the ocean). In the Vishnu Purana and Bhagavata Purana, the god Krishna and his wife Satyabhama visited Amaravati to return the earrings of Indra's mother Aditi, which were stolen by the demon Narakasura. Shachi considered Satyabhama to be inferior because of her mortal background and while introducing the latter to Aditi, she didn't treat her properly.[24] Later, while travelling through Indra's garden, Satyabhama saw the Parijata tree and decided to transplant it to Dvaraka. When Shachi's guards warned Satyabhama, she challenged Shachi to ask Indra to protect the tree if he was truly submissive to her will. After hearing about Satyabhama's words from a guard, Shachi insisted that her husband take back her possession. A battle between Indra and Krishna occurred, in which the latter was victorious and took the tree with him.[29][30]
Association with the Matrikas
[edit]In Shaktism, the goddess-oriented sect of Hinduism, Indrani (or Aindri) is the name of one of the Sapta Matrika—the seven divine mothers. Sometimes, Indra's wife and the Matrika are equated into one goddess.[1]
The legends of the Matrikas are narrated in various texts. In the Devi Mahatmyam, when the gods could not defeat the powerful demons Shumbha and Nishumbha, their Shaktis (power) personified themselves to defeat the demon. Indrani is described to be emerging from Indra and has similar characteristics to him.[31][32] According to later chapters in the Devi Mahatmyam, the Matrikas appeared again to defeat Raktabija, a demon with the power to multiply himself whenever a drop of his blood reached the ground. In this battle, the Matrikas emerged from different parts of the supreme goddess.[33][34]
The Varaha Purana associates each of the Matrikas with an emotion; Indrani is associated with jealousy.[33][34]
Iconography and worship
[edit]Sculptures of Indrani and Indra are common in Hindu temples. They are typically depicted sitting on the white elephant Airavata. While explaining the iconography as described in the Vishnudharmottara, archeologist T.A. Gopinatha Roa writes that Indrani should be depicted with two arms, seated on the lap of her husband. She is of golden complexion and is dressed in blue garment. One of her hand embraces Indra, while the other one carries a santana-manjari. The text Amshumadbhed-agama contains a similar account, according to which she should be shown as a joyful young lady, decorated with all kinds of ornaments and carrying a utpala flower (Nymphaea nouchali) in her hand.[35]
Roa describes the Matrika Indrani as being red, with three eyes and four hands. Two of her hands should be in Varada and Abhaya mudra, while the other two hands hold a vajra (thunderbolt) and a spear. She wears a kirita on her head and is decorated with various ornaments. Her vahana (vehicle), as well as her emblem banner, is an elephant.[36] According to the Vishnudharmottara, like Indra, Indrani is yellow and has one thousand eyes. She has six arms, four of which carry a sutra, vajra, pot, and vessel. The remaining two are in Abhaya and Varada mudra. The Devi Bhagavata Purana states that Indrani has two arms and carries an ankusha (goad) and vajra, while the Purva Karangama depicts her as having two eyes and carrying a lotus in one hand.[36][11] Indrani is associated with the kalpaka tree; sometimes, a lion is mentioned as her vahana.[37]
Indrani is usually venerated with Indra and is rarely worshipped as an independent deity. Author Roshen Dalal states that Indra and Indrani are the kul devata (family deity) of the royal family of Vidarbha. In the Harivamsha, Rukmini, the chief wife of Krishna, visited a temple dedicated to Indra and Shachi.[38][39] In Hindu astrology, Indrani is the ruler of Shukra (Venus) and symbolises the quality of rajas.[40] The 7th-century Harshacharita mentions Charanas assembling in the temple of goddess Indrani.[41] In modern times, Indrani is sometimes equated with the Matrika of the same name and is worshipped along with the other Matrikas. A puja (worship) dedicated to Indrani is performed during the Ashada Navratri.[42]
In other religions
[edit]Indrani exists in other religions, though she plays a minor role. In Jain tradition, she is a mirror image of Indra, and they represent an ideal couple.[43] According to myth, when a Tirthankara is born, Indra descends with his consort Indrani, riding the great elephant Airavata, to celebrate the event.[44]
In the Buddhist Pāli Canon, Indrani is referred to as Sujā, the wife of Śakra.[45][43] Born to asura Vemacitrin, Sujā went through a long process and was reborn over many lifetimes to purify herself and become Śakra's wife. As Vemacitrin was his nemesis, Śakra, disguised as an old asura, came to Sujā and took her with him. After defeating Vemacitrin, Sujā and Śakra got married and she became his chief consort.[46]
Notes
[edit]References
[edit]Citations
[edit]- ^ a b Chandra 1998.
- ^ a b c d Kinsley 1988, p. 17.
- ^ Monier-Williams 1872, p. 141.
- ^ a b Monier-Williams 1872, p. 989.
- ^ a b Dalal 2014, p. 164.
- ^ Pintchman, Tracy (15 April 2015). The Rise of the Goddess in the Hindu Tradition. State University of New York Press. ISBN 978-1-4384-1618-2.
- ^ a b c d Daniélou 1991, p. 109.
- ^ Gandhi 1993, p. 158.
- ^ a b Dalal 2014, p. 165–166.
- ^ Gandhi 1993, p. 89.
- ^ a b c d Dalal 2014.
- ^ a b Kapoor 2002, p. 969.
- ^ Muir 1870.
- ^ a b Dalal 2014, p. 166.
- ^ Jordan 2014.
- ^ a b Lochtefeld 2001, p. 297.
- ^ Mani 1975, p. 516.
- ^ Mani 1975, p. 660.
- ^ Sarkar 1989, p. 126.
- ^ Debroy 2015.
- ^ Mani 1975, p. 6.
- ^ Sinha 2020.
- ^ Debroy 2017a.
- ^ a b Mani 1975, p. 330.
- ^ Dalal 2014, p. 399.
- ^ Mukherjee 1999, p. 29, 39.
- ^ Debroy 2017b.
- ^ Brodbeck & Black 2007, p. 136.
- ^ Bhattacharya 1996.
- ^ Cush, Robinson & York 2012, p. 775.
- ^ Kinsley 1988, p. 156.
- ^ Cush, Robinson & York 2012, p. 739.
- ^ a b Kinsley 1988, p. 159.
- ^ a b Leeming & Fee 2016.
- ^ Gopinatha Rao 1916, p. 520.
- ^ a b Rao 1997, p. 385.
- ^ Stutley 2019.
- ^ Dalal 2014, p. 165.
- ^ www.wisdomlib.org (14 November 2020). "An Account of Rukshmi: Krishna Takes Away Rukshmini [Chapter 60]". www.wisdomlib.org. Retrieved 2 September 2024.
- ^ Kalomiris 2019.
- ^ Datta, Amaresh (1988). Encyclopaedia of Indian Literature: Devraj to Jyoti. Sahitya Akademi. ISBN 978-81-260-1194-0.
In his Harshacharita Bana informs that Charanas of various branches had come from far off places and assembled in a small room where the goddess Indrani was worshipped.
- ^ Banerjee, Nikita (8 April 2019). "Ashtami – Why is Ashtami the most important day during Navratri?". The Times of India. Retrieved 2 June 2021.
- ^ a b Appleton 2016.
- ^ Goswamy 2014, p. 245.
- ^ Daniélou 1991, p. 487.
- ^ "Suja, Sujā: 6 definitions". www.wisdomlib.org. 12 April 2009. Retrieved 29 April 2021.
Sources
[edit]- Kinsley, David (1988). Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition. University of California Press. pp. 17–18, 156–158. ISBN 978-0-520-90883-3.
- Monier-Williams, Monier (1872). A Sanskrit-English Dictionary. Clarendon.
- Dalal, Roshen (18 April 2014). Hinduism: An Alphabetical Guide. Penguin UK. ISBN 978-81-8475-277-9.
- Leeming, David; Fee, Christopher (15 March 2016). The Goddess: Myths of the Great Mother. Reaktion Books. ISBN 978-1-78023-538-7.
- Mani, Vettam (1975). Puranic encyclopaedia : a comprehensive dictionary with special reference to the epic and Puranic literature. Robarts – University of Toronto. Delhi : Motilal Banarsidass. pp. 330, 660.
- Sinha, Purnendu Narayana (28 September 2020). A Study of the Bhagavata Purana: Or, Esoteric Hinduism. Library of Alexandria. ISBN 978-1-4655-2506-2.
- Daniélou, Alain (December 1991). The Myths and Gods of India: The Classic Work on Hindu Polytheism from the Princeton Bollingen Series. Inner Traditions / Bear & Co. ISBN 978-0-89281-354-4.
- Bhattacharya, Sunil Kumar (1996). Krishna-cult in Indian Art. M.D. Publications Pvt. Ltd. ISBN 978-81-7533-001-6.
- Mukherjee, Prabhati (1999). Hindu Women: Normative Models. Calcutta: Orient Blackswan. ISBN 81-250-1699-6.
- Gandhi, Maneka (1993). The Penguin Book of Hindu Names. Penguin Books India. ISBN 978-0-14-012841-3.
- Lochtefeld, James G. (15 December 2001). The Illustrated Encyclopedia of Hinduism, Volume 1. The Rosen Publishing Group, Inc. ISBN 978-0-8239-3179-8.
- Brodbeck, Simon; Black, Brian (9 August 2007). Gender and Narrative in the Mahabharata. Routledge. ISBN 978-1-134-11995-0.
- Debroy, Bibek (2017a). The Valmiki Ramayana: Vol. 2. Penguin Random House India Private Limited. ISBN 978-93-87326-27-9.
- Debroy, Bibek (2017b). The Valmiki Ramayana: Vol. 3. Penguin Random House India Private Limited. ISBN 978-93-87326-28-6.
- Jordan, Michael (14 May 2014). Dictionary of Gods and Goddesses. Infobase Publishing. ISBN 978-1-4381-0985-5.
- Stutley, Margaret (9 April 2019). The Illustrated Dictionary of Hindu Iconography. Routledge. ISBN 978-0-429-62425-4.
- Muir, John (1870). Original Sanskrit Texts on the Origin and History of the People of India, Their Religion and Institutions: Contributions to a knowledge of the cosmogony, mythology, religious ideas, life and manners, of the Indians in the Vedic age. Volume fifth. Trübner & Company.
- Rao, T. A. Gopinatha (1997). Elements of Hindu Iconography. Motilal Banarsidass Publishers. ISBN 978-81-208-0876-8.
- Gopinatha Rao, T. A. (1916). Elements Of Hindu Iconography, Vol. II Part II.
- Kapoor, Subodh (2002). Encyclopaedia of Vedic Philosophy: The Age, Religion, Literature, Pantheon, Philosophy, Traditions, and Teachers of the Vedas. Cosmo. ISBN 978-81-7755-357-4.
- Cush, Denise; Robinson, Catherine; York, Michael (21 August 2012). Encyclopedia of Hinduism. Routledge. ISBN 978-1-135-18978-5.
- Chandra, Suresh (1998). Encyclopaedia of Hindu Gods and Goddesses. Sarup & Sons. ISBN 978-81-7625-039-9.
- Kalomiris, James (4 September 2019). The Vedic Astrologer: The Spiritual Legacy of the Nakshatras. Balboa Press. ISBN 978-1-9822-2638-1.
- Debroy, Bibek (1 June 2015). The Mahabharata: Volume 4. Penguin UK. ISBN 978-81-8475-534-3.
- Sarkar, Rabindra Nath (1989). An Episodic Interpretation of the Mahabharata. Atlantic Publishers & Distri.
- Goswamy, B. N. (2014). The Spirit of Indian Painting: Close Encounters with 100 Great Works 1100–1900. Penguin Books. ISBN 978-0-670-08657-3.
- Appleton, Naomi (25 November 2016). Shared Characters in Jain, Buddhist and Hindu Narrative: Gods, Kings and Other Heroes. Routledge. ISBN 978-1-317-05574-7.
External links
[edit]- Media related to Indrani at Wikimedia Commons